It takes being away from someone for a while, to realize how much you really need them in your life.
Thursday, April 23, 2015
Pashley and a Burning Bush
Wednesday, April 22, 2015
Natural Habitat
Gunks Routes: Easy Overhang (5.2) & Son of Easy O (5.8)
It was one of those treasured weekdays in the Gunks. I was going climbing with Margaret, one of my longest-running climbing friends, but with whom I somehow haven't climbed outside in years. She wanted to do some easy leads. I just wanted to climb and didn't much care what we did. And with a heat wave rolling through and temperatures in the high 90s, easy leads sounded pretty good to me.
After I warmed us up with a run up Rhododendron (5.6-) we took the quick walk over to Easy Overhang, which neither of us had ever done and which Margaret wanted to lead.

(Photo: Almost through pitch one of Easy Overhang, having gone in and out of the 5.1 chimney.)
Pitch one is rated only 5.1, but the opening move (up a little flake and left to the chimney that makes up most of the pitch) sure feels harder than that. Neither Margaret nor I were at any risk of falling off, of course, but it was kind of a wake-up call. I get this same wake-up call whenever I do a super-easy climb in the Gunks. There's always a move somewhere that makes you think a little, no matter what the rating is. On Easy Overhang it comes right off the ground. It's just hard enough, I imagine, to give a brand new leader pause about what's to come, and it could cause real problems for a totally inexperienced climber. After we finished the climb, in fact, I saw a young girl of perhaps twelve or thirteen struggling mightily with these first moves of the pitch while her belayer/dad chatted on his cellular phone, oblivious. I gave her a little beta and she eventually got through it, but not without some skidding feet here and there.
Once you are established in the chimney the climb is as easy as advertised up to the bolts at the belay ledge. I thought it was pleasant, good fun. When I got to the bolts I looked up at the 5.2 pitch two and it too looked like another entertaining sandbag. The holds appeared to be plentiful but the climbing looked quite steep, and not just at the namesake overhang(s).

(Photo: Pitch two of Easy Overhang.)
Margaret set off and made quick work of it. As I followed her, enjoying the moves, I tried to imagine Hans Kraus leading it in mountain boots in 1941 (or perhaps sneakers, as he wore for the first ascent of the crux pitch of High Exposure that same year). It wasn't easy to envision. I tried to picture what this cliff was like without the lines already drawn in. I attempted to see this hunk of rock as a blank slate, as Kraus saw it; to find the line without outside influence, as he had found it. And it was hard for me to imagine that a person could look at this particular line and think it would be easily climbed with the tools of his day: clunky boots, a few pitons, hemp ropes. I resolved to try it one day-- not with hemp ropes or pitons, but maybe in mountain boots, as one internet climbing forum participant proposed somewhere a few months ago. Easy Overhang seems like the perfect climb for it. The going is steep in places, but rests are plentiful and there are great edges for stiff soles; no need for smearing. I think primitive footwear would work well, and that leading Easy Overhang in them would scare the crap out of me, in a good, safe way.
After we were done with Easy Overhang it was my turn to lead something. I couldn't resist hopping on Son of Easy O (5.8). I led it two years ago, just a few days before I broke my ankle. When I looked back on it I remembered the thin face climbing on pitch one as rather tough going, and the pitch two overhang as a surprisingly easy pleasure.
I was eager to get back on it because I've been feeling so good on the 5.8 climbs lately. I wanted to see if pitch one would seem easier this time around. I also wanted to check it out again because a few weeks ago in this space I declared Birdland to be perhaps the best 5.8 in the Gunks, and the reason I qualified my praise with that word "perhaps" was that I thought possibly Son of Easy O deserved the honor instead.
Well, pitch one was still tense the second time around. Maybe the heat was a factor. Maybe my performance was also affected by the fact that the party before us elected to rap from the pins near the top (this requires two ropes or a 70 meter single) and dropped their rope on me while I was negotiating the crux. (They were actually nice guys; they realized this was an error and then waited until I said it was okay before they dropped the other end.) Whatever the reason, I thought this was one of the hardest, and best, 5.8 pitches I've done at the Gunks. It just doesn't stop coming. It is steep for 15 or 20 feet, with thin moves past the pin and the little left-facing corner. Then the angle eases but the thin moves continue. You are over your feet so you don't pump out, but there isn't much in the way of a rest stance until you are practically at the ledge. It's just one thoughtful move after another, with great, abundant pro, the whole way. So good.
I wonder if this pitch feels harder than it used to because it is so popular. The route is polished, so much so that you can pick out the line from the carriage road by the streak of polish going up the wall.
I know it is fashionable these days to combine pitches one and two but it was so hot out I thought it might be nice to take a break between the pitches. I also wanted to experience the traverse over to the overhang at the start of pitch two again, and this traverse is skipped when the pitches are combined. So I angled up left at the ledge and belayed at the traditional spot at the end of pitch one. After Margaret arrived at the belay ledge (remarking as she finished climbing that she couldn't believe pitch one was only a 5.8) I set off on pitch two.

(Photo: In the thick of pitch two of Son of Easy O (5.8).)
Again my impressions of two years ago were more or less confirmed. After a slightly dicey step into the traverse, which requires a move or two before you can get good pro in, the pitch is steep, with great holds and gear as you move up into the overhanging corner. Then it is over before you know it. I made the traversing moves, thinking things were getting pumpy in a hurry. Then I stepped up to the pin, telling myself I'd better keep it moving. I placed a dynamite back-up cam to the right of the pin. I moved up and placed another cam in a horizontal. I thought about whether it was worth the energy I would have to expend to improve this last placement... and then I looked to the right and realized the hard stuff was already done. One step around the corner to the right and the pitch was in the bag.
Having done both pitches of Son of Easy O again I have to say it is a close call, but I don't think it is the best overall 5.8 in the Gunks. If the second pitch were just a bit longer it might get the nod. The first pitch is amazing, the second is only very good. In addition, the climb is a victim of its own popularity; it is getting quite polished on the first pitch. Regardless of these small caveats, it is certainly still among the best 5.8s, and it deserves of every one of its three stars.
But Birdland remains the champ as far as I'm concerned.
After I warmed us up with a run up Rhododendron (5.6-) we took the quick walk over to Easy Overhang, which neither of us had ever done and which Margaret wanted to lead.
(Photo: Almost through pitch one of Easy Overhang, having gone in and out of the 5.1 chimney.)
Pitch one is rated only 5.1, but the opening move (up a little flake and left to the chimney that makes up most of the pitch) sure feels harder than that. Neither Margaret nor I were at any risk of falling off, of course, but it was kind of a wake-up call. I get this same wake-up call whenever I do a super-easy climb in the Gunks. There's always a move somewhere that makes you think a little, no matter what the rating is. On Easy Overhang it comes right off the ground. It's just hard enough, I imagine, to give a brand new leader pause about what's to come, and it could cause real problems for a totally inexperienced climber. After we finished the climb, in fact, I saw a young girl of perhaps twelve or thirteen struggling mightily with these first moves of the pitch while her belayer/dad chatted on his cellular phone, oblivious. I gave her a little beta and she eventually got through it, but not without some skidding feet here and there.
Once you are established in the chimney the climb is as easy as advertised up to the bolts at the belay ledge. I thought it was pleasant, good fun. When I got to the bolts I looked up at the 5.2 pitch two and it too looked like another entertaining sandbag. The holds appeared to be plentiful but the climbing looked quite steep, and not just at the namesake overhang(s).
(Photo: Pitch two of Easy Overhang.)
Margaret set off and made quick work of it. As I followed her, enjoying the moves, I tried to imagine Hans Kraus leading it in mountain boots in 1941 (or perhaps sneakers, as he wore for the first ascent of the crux pitch of High Exposure that same year). It wasn't easy to envision. I tried to picture what this cliff was like without the lines already drawn in. I attempted to see this hunk of rock as a blank slate, as Kraus saw it; to find the line without outside influence, as he had found it. And it was hard for me to imagine that a person could look at this particular line and think it would be easily climbed with the tools of his day: clunky boots, a few pitons, hemp ropes. I resolved to try it one day-- not with hemp ropes or pitons, but maybe in mountain boots, as one internet climbing forum participant proposed somewhere a few months ago. Easy Overhang seems like the perfect climb for it. The going is steep in places, but rests are plentiful and there are great edges for stiff soles; no need for smearing. I think primitive footwear would work well, and that leading Easy Overhang in them would scare the crap out of me, in a good, safe way.
After we were done with Easy Overhang it was my turn to lead something. I couldn't resist hopping on Son of Easy O (5.8). I led it two years ago, just a few days before I broke my ankle. When I looked back on it I remembered the thin face climbing on pitch one as rather tough going, and the pitch two overhang as a surprisingly easy pleasure.
I was eager to get back on it because I've been feeling so good on the 5.8 climbs lately. I wanted to see if pitch one would seem easier this time around. I also wanted to check it out again because a few weeks ago in this space I declared Birdland to be perhaps the best 5.8 in the Gunks, and the reason I qualified my praise with that word "perhaps" was that I thought possibly Son of Easy O deserved the honor instead.
Well, pitch one was still tense the second time around. Maybe the heat was a factor. Maybe my performance was also affected by the fact that the party before us elected to rap from the pins near the top (this requires two ropes or a 70 meter single) and dropped their rope on me while I was negotiating the crux. (They were actually nice guys; they realized this was an error and then waited until I said it was okay before they dropped the other end.) Whatever the reason, I thought this was one of the hardest, and best, 5.8 pitches I've done at the Gunks. It just doesn't stop coming. It is steep for 15 or 20 feet, with thin moves past the pin and the little left-facing corner. Then the angle eases but the thin moves continue. You are over your feet so you don't pump out, but there isn't much in the way of a rest stance until you are practically at the ledge. It's just one thoughtful move after another, with great, abundant pro, the whole way. So good.
I wonder if this pitch feels harder than it used to because it is so popular. The route is polished, so much so that you can pick out the line from the carriage road by the streak of polish going up the wall.
I know it is fashionable these days to combine pitches one and two but it was so hot out I thought it might be nice to take a break between the pitches. I also wanted to experience the traverse over to the overhang at the start of pitch two again, and this traverse is skipped when the pitches are combined. So I angled up left at the ledge and belayed at the traditional spot at the end of pitch one. After Margaret arrived at the belay ledge (remarking as she finished climbing that she couldn't believe pitch one was only a 5.8) I set off on pitch two.

(Photo: In the thick of pitch two of Son of Easy O (5.8).)
Again my impressions of two years ago were more or less confirmed. After a slightly dicey step into the traverse, which requires a move or two before you can get good pro in, the pitch is steep, with great holds and gear as you move up into the overhanging corner. Then it is over before you know it. I made the traversing moves, thinking things were getting pumpy in a hurry. Then I stepped up to the pin, telling myself I'd better keep it moving. I placed a dynamite back-up cam to the right of the pin. I moved up and placed another cam in a horizontal. I thought about whether it was worth the energy I would have to expend to improve this last placement... and then I looked to the right and realized the hard stuff was already done. One step around the corner to the right and the pitch was in the bag.
Having done both pitches of Son of Easy O again I have to say it is a close call, but I don't think it is the best overall 5.8 in the Gunks. If the second pitch were just a bit longer it might get the nod. The first pitch is amazing, the second is only very good. In addition, the climb is a victim of its own popularity; it is getting quite polished on the first pitch. Regardless of these small caveats, it is certainly still among the best 5.8s, and it deserves of every one of its three stars.
But Birdland remains the champ as far as I'm concerned.
Sunday, April 19, 2015
Something New

This evening I tried out a "new" (to me) location along the Lake Superior shoreline North of Grand Marais, MN. It turned out to be a wonderful spot and I had great fun spending the evening shooting here. I still can't believe I've never been down to this spot before! It is just a short walk from Highway 61, and is actually part of the Superior Hiking Trail. Many thanks to my friend Bryan Hansel (http://www.flickr.com/photos/bryanhansel/) for letting me know about this amazing little slice of Lake Superior's shore.

Most of the beach in this area consists of small pebbles, but there is also a small rocky outcrop that juts out into the lake. On the tip of this rocky outcrop is a small island that is only a few feet from shore. It just so happens that the moon was rising over this small island during my visit. Also along the rocky outcrop were several types of plants that were coated in ice from recent waves and spray coming off the lake. As many of you know, winter is a favorite time of mine for photography mostly because I loooooove photographing ice!

After shooting for about an hour and a half along the Lake Superior shore, I headed home for a bite to eat. As soon as my stomach was full I headed back out to do some more shooting. It was a beautiful moonlit night and I wasn't about to let that go to waste! So, I headed up along the Pigeon River and made some photos of Partridge Falls bathed in moonlight. What a great day for some early winter photography!
Lonely Daffy
I didn't plant any daffodils last fall but did have this one come up from some I had planted before. It was the only one. Daffodils are one of my favorite flowers but they don't like to do well here in the desert where the wind has a habit of burying them to deep with sand for them do to well after the first year.Thursday, April 16, 2015
Tuesday, April 14, 2015
WBHM

My husband had an appointment yesterday to record a testamonial for WBHM, Birmingham's NPR station.
I tagged along because, you know, blog fodder.
If you're a local public radio listener you may soon be treated to the dulcet tones that are the basso profundo of my dear husband.
He mostly talked about NPR's news shows (Morning Edition and All Things Considered), WBHM's excellent local arts and culture show Tapestry, and the Ivory Billed Woodpecker Radio Expeditions story that I wrote about earlier.
With luck they'll find something useful between the parts with the chair squeaking, him leaning away from the microphone, or me butting in to tell him what to say. (Sorry, dear.)

My husband (left) with Michael Krall, WBHM's Program Director. Both are infinitely more handsome than they appear in this poor photo.
For the record, I am addicted to all the shows mentioned above plus:
To the Best of Our Knowledge
This American Life
Fresh Air
It's hard to say which is my favorite - I like them all. Click the above links to listen to them on the internet, or here to see WBHM's program schedule. (NPR's full list of programs is here.)
You can E-pledge to WBHM right now. We always do.
Dang, I forgot to ask where Steve Chiotakis sits.
In the interest of full disclosure: I have photoshopped two annoying glares out of the second picture above. Wish I could fix the harsh shadows too. I don't take many indoor shots and here you can see why. The built-in flash on my camera is somewhat lacking. Also, I tend to use "photoshop" as a verb even though I use a different editing program. And, since my husband won't sing to me, I don't really know that he's a basso profundo, but his voice is rather low. Finally, he may or may not actually have dulcet tones. I'm a little biased.
Car to Car on the Grand in 5:17!
At the trailhead..sage advice:-)
"Nice tights, you guys are idiots, I'm a guide, I know a lot."
Congrads to all involved!
Jared hadalready done it in7:21 last month climbing and skiing wth 2companions that continued on the traverse.
![]()
Nathan Brown, was dropped itto 7:15:33…car-to-car.Nate went solo, used steel crampons and two ice tools, Dynafit TLT5 Performance boots, custom 160cm Igneous, and down-climbed the Chevy Couloir, as opposed to rappelling.
Then the batman team went at it.
![]()
http://jasondorais.blogspot.com//06/6-28--speed-attempt-of-fordstettner.html
http://slcsherpa.blogspot.com//06/grand-teton-ski-descent-speed-record.html
http://www.tetonat.com//06/26/grand-teton-ski-descent-speed-record-set/
And just to add to the fun, Ptarmigan was skied last month as well.
http://cascadeclimbers.com/forum/ubbthreads.php/topics/1023902/TR_Mt_Rainier_Ptarmigan_Ridge_#Post1023902
Amazing spring conditions we are having!
"Nice tights, you guys are idiots, I'm a guide, I know a lot."
Congrads to all involved!
Jared hadalready done it in7:21 last month climbing and skiing wth 2companions that continued on the traverse.
Nathan Brown, was dropped itto 7:15:33…car-to-car.Nate went solo, used steel crampons and two ice tools, Dynafit TLT5 Performance boots, custom 160cm Igneous, and down-climbed the Chevy Couloir, as opposed to rappelling.
Then the batman team went at it.
http://jasondorais.blogspot.com//06/6-28--speed-attempt-of-fordstettner.html
http://slcsherpa.blogspot.com//06/grand-teton-ski-descent-speed-record.html
http://www.tetonat.com//06/26/grand-teton-ski-descent-speed-record-set/
And just to add to the fun, Ptarmigan was skied last month as well.
http://cascadeclimbers.com/forum/ubbthreads.php/topics/1023902/TR_Mt_Rainier_Ptarmigan_Ridge_#Post1023902
Amazing spring conditions we are having!
Sunday, April 12, 2015
She did it with Love
My mother holding her firstborn child, Charles Douglas "Doug" Wiseman. Two months shy of her birthday, Mom was not quite 19 years old when Doug was born in March 1947. In the next two years, two more children would be born, me and Jack Lynn. Four and a half years after Jack was born, my sister Teresa Jane arrived on the scene.The pictures below were taken on Easter Sunday in 1955 at grandma's house in Auburn. Jack's coat is too big, Doug's is too small. I wore that coat for more years than I care to remember. Terry was a handful. Mom was a stay-at-home-mom. Of course, back in the 50s that's what moms did. When Terry started school, Mom got a job outside the home and things changed. That's life. Deal with it and move on. She wasn't the "perfect" mother, like Donna Reed or Harriet Nelson, but she did the best that she could with what she knew. She did it with love. Thanks Mom.

Contributed to the 1st Edition of the Smile for the Camera Carnival.
Saturday, April 11, 2015
Mini-Tour to Concord, MA
Last Sunday I felt so invigorated in my spring Wheeling Suit, that I decided it was time for my first mini-tour. The Co-Habitant had to work, so I went on my own - to Concord, which is a small town about 18 miles from where we live.
Here is Marianne posing to show off that she had reached Concord.
This is a popular cycling route in the Boston area. I first went through the Minuteman Trail and then cycled on the road (Route 62 W) for an additional 5.5 miles. At the end of the Minuteman Trail, I overheard a pair of road cyclists - dressed in full lycra and on super-high-tech bikes - discussing whether they should go to Concord or choose a different direction. One of them said that the route to Concord is really hilly and he didn't feel like dealing with that. This alarmed me, but I decided to start cycling in that direction anyway just to see how it is. If too hilly, I would simply turn back. Well, clearly that did not happen - which makes me wonder how to interpret the super-roadcyclist's comment. The terrain was completely manageable on a 12-speed bicycle.
Hills or no hills, I loved cycling on Route 62. There are few cars, plenty of shade even at mid-day, fresh air, and often a shoulder to cycle on. Along the way are farms, picturesque New England houses, old cemeteries, and stretches of woods. This is my dream landscape for touring, and I wonder whether Route 62 West continues to be just as nice further West? If you are local, please let me know.
It took me about 1 1/2 hours to arrive to Concord center from my house, not counting a coffee stop along the way. Since it is an 18-mile route, this means I was going an average of 12 mph: slow and steady, which is probably a good way to start for someone like me.
Concord, Massachusetts is a fascinating town from a historical perspective - having been home to Emerson, Thoreau and Hawthorne, among others. Its most famous site is probably Walden Pond, but I intentionally did not cycle in that direction because I want to visit it with the Co-Habitant. Instead, Marianne and I explored the town center.
It was Easter Sunday, and the people out on the streets were an amusing mix of churchgoers in their Sunday best and cyclists in skin-tight black and neon lycra.
The mood in the town center was festive.
No businesses were open except for a couple of cafes, but it was fascinating just to walk around the streets and observe.
For such a tiny town, Concord is home to a staggering number of churches. I think there were close to a dozen in the center alone.
Aside from churches, I noticed an abundance of landmark signs that refer to things that were once in that spot, but no longer are: trees that have been felled, streams that have been drained and built upon, mills and historical homes that have been demolished, etc.
There is a feeling of living in the past that the town seems to intentionally embrace - from the quaint storefronts on Main Street, to other nostalgic details here and there, like this antique bicycle next to a popular food market. I wonder whether the area around Walden Pond has a similar feel to it. Hopefully we will visit there soon.
After spending about an hour and a half in Concord, I headed back - via Route 62 again and then the Minuteman Trail. Not much was in bloom along the trail yet, but it was good to be there for the first time since November. Despite it being Easter Sunday, the path was not too crowded and I returned home in good time.
For my first mini-tour involving road cycling and a specific destination, I thought this went well. I ate at well-spaced intervals and did not get tired. In general, I feel that my endurance of long rides is determined more by comfort than physical ability: pain begins to bother me before I have the chance to grow tired. In the past, the major problems were saddle discomfort (the Brooks Flyer Special refused to break in no matter what), handlebar discomfort (too much weight placed on the hands would result in pain), and generally feeling not entirely in control of this bicycle. The control problem has been solved now. And after the latest raising of the saddle, the Flyer feels much better. The handlebars remained an issue simply because the mountain bike hand position of the Milan bars is not good for long rides. My hands did not go numb during this trip, but I felt that it would happen soon if I kept going. I have now found a solution to this, and will write about it in the next post.
A 36-mile trip is not a big deal, but it's a good step up from the 25-mile trips I have been taking. My plan is to eventually proceed to 50 miles, then more, so as to be ready for a multi-day tour by the end of summer. Any advice about the proper way to do this - or nice spots to cycle to in New England - is welcome!
A 36-mile trip is not a big deal, but it's a good step up from the 25-mile trips I have been taking. My plan is to eventually proceed to 50 miles, then more, so as to be ready for a multi-day tour by the end of summer. Any advice about the proper way to do this - or nice spots to cycle to in New England - is welcome!
The Closest Thing to a Valentine
In all of the photo albums and family papers of my grandmother's, I haven't come across any valentines or love letters written by or to anyone. None. Zilch. Nada. And I don't have any personal valentines (that I'd care to share). So with my birthday being just 3 days after Valentines Day, I thought these cards might be good substitutes for inclusion in the 20th edition of Smile For The Camera. My niece Carrie made them a “few” years ago (when she was 9 or 10 years old). The images were previously published here on kinexxions in July ...


Wednesday, April 8, 2015
Werfkelder Tunnel
There is nothing much to say about these pictures except... Typically Utrecht.


Visit Period: December
Tuesday, April 7, 2015
The iGene Awards for Kinexxions
It's time for the Annual iGene Awards in which we announce our “best” blog posts from last year in five categories. Created by Jasia at Creative Gene for the Carnival of Genealogy, this year marks the 5th anniversary of the awards.
And this year, the ceremony for kinexxions is coming to you from Salt Lake City! What better place for such an event? And now, the winners...
Best Picture: Going through my Mother's papers after her death last February, I discovered a photograph that I had never seen before. In Mom :: Before she was Mom I presented that photo andseveral a lot of others. Is this my Mom?

Best Screen Play: The post Joslin Rendezvous :: The Homestead discusses a few of the trials and tribulations encountered by Virgil Joslin when he homesteaded in South Dakota in the early 1900s. Additional material written by his son Irwin would be used to create a feature-length movie that would star Sam Elliott and Meryl Streep as Virgil and Mary Joslin.
Best Documentary (investigative research): This past summer I decided to take on my Switzer family in Columbiana County, Ohio and found that there were Not One, Not Two, Not Three, but Four of Them! with “them” being men named Jacob Switzer. One of them was my ancestor, but which one? Yes, this is one of a series of posts, all of which are listed here.
Best Biography: The rules are going to be stretched a little in that two series of posts are being selected, neither were actually “written” by me. The Life of Hazlette Brubaker presents the story of my Grandmother's life, as told in her own words, in a series of 15 articles.
The Berlin Family :: John D. and Susannah is the first in a series of articles that includes family Bible Records as well as 35 letters written between 1861-1895 between family members. (Links to those documents are included at the bottom of the selected post.)
Best Comedy: Humorous writing is not really my forte (I've often been told that I have a very dry sense of humor, almost humorless.) At any rate, I've selected One Half of an Old Mare called Van Dora for this category. Maybe you “had to be there” but finding Van Dora in the inventory of the estate of William B. Jones had Carol and me cracking up for several days.
And that brings to a close the iGene Award Ceremony for ..... hmm, well, not just yet. Since I've been doing a bit of traveling I thought I'd modify the categories in several areas and present a “travel” version also...

Best Picture: Nature's Trifecta

BestScreen Play time with Geneabloggers: Ah... Anastasia and St. Augustine

Best Documentary: It Sounded Too Good to Pass By

BestBiography Unique Event: Badlands :: Where the Buffalo Do Roam

Best Comedy: A Great Big Ball of Twine
Written for the 114th edition of the Carnival of Genealogy.
And this year, the ceremony for kinexxions is coming to you from Salt Lake City! What better place for such an event? And now, the winners...
Best Picture: Going through my Mother's papers after her death last February, I discovered a photograph that I had never seen before. In Mom :: Before she was Mom I presented that photo and

Best Screen Play: The post Joslin Rendezvous :: The Homestead discusses a few of the trials and tribulations encountered by Virgil Joslin when he homesteaded in South Dakota in the early 1900s. Additional material written by his son Irwin would be used to create a feature-length movie that would star Sam Elliott and Meryl Streep as Virgil and Mary Joslin.
Best Documentary (investigative research): This past summer I decided to take on my Switzer family in Columbiana County, Ohio and found that there were Not One, Not Two, Not Three, but Four of Them! with “them” being men named Jacob Switzer. One of them was my ancestor, but which one? Yes, this is one of a series of posts, all of which are listed here.
Best Biography: The rules are going to be stretched a little in that two series of posts are being selected, neither were actually “written” by me. The Life of Hazlette Brubaker presents the story of my Grandmother's life, as told in her own words, in a series of 15 articles.
The Berlin Family :: John D. and Susannah is the first in a series of articles that includes family Bible Records as well as 35 letters written between 1861-1895 between family members. (Links to those documents are included at the bottom of the selected post.)
Best Comedy: Humorous writing is not really my forte (I've often been told that I have a very dry sense of humor, almost humorless.) At any rate, I've selected One Half of an Old Mare called Van Dora for this category. Maybe you “had to be there” but finding Van Dora in the inventory of the estate of William B. Jones had Carol and me cracking up for several days.
And that brings to a close the iGene Award Ceremony for ..... hmm, well, not just yet. Since I've been doing a bit of traveling I thought I'd modify the categories in several areas and present a “travel” version also...

Best Picture: Nature's Trifecta

Best

Best Documentary: It Sounded Too Good to Pass By

Best

Best Comedy: A Great Big Ball of Twine
Written for the 114th edition of the Carnival of Genealogy.
Step-Throughs: an Advantage in Traffic?
I used to think the reason I prefer step-throughs for transportation, is that I often wear skirts. But having read the ecovelo post, I realise that even when wearing trousers I feel better on a step-through in traffic. And, assuming that Alan of ecovelo mostly wears trousers, for him there must be other factors involved as well. Maybe for me it's the promise of the easy "hop off sideways" dismount should I need to bail, that makes me feel more secure. But to tell the truth, I am not sure what it is, and whether my preference is entirely logical.
All factors remaining equal (upright handlebars, ride quality, load capacity), what, if anything, would make a step-through bike an advantage in traffic?
Sunday, April 5, 2015
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